All information is in the document, Essay Example | Topics and Well Written Essays - 1750 words

All information is in the document, - Essay Example the main features in the film is that is characteristic of an urban setting is the firearms that are used in the action and bloodshed combats in the plot of the film. In a rural Asian setting, the main weapon to combat enemies was the sword. This is what is used in most Asian action traditional movies and the martial arts of Tai Kwando are employed. In this film however, modern firearms with live bullets are used in the action scenes. These are cocked and fired by pulling the trigger which gives the film an all modern aura. Another element of modern setting in the film was depicted with the occupation of Sung Tse-Ho. Ho’s principle job was printing and distributing fake bank notes of the US dollars. The fact that printing in itself was done is a very modern element. Traditionally primitive forms of writing were the only forms of permanently inscribing information on a piece. The bank notes also implied that the main form of exchanging goods and services or for trading was monetary which is different from the traditional barter trading system. In addition to that it depicts the presence banks in the film setting which are only characteristic of modern settings. Very few rural settings have a bank anywhere in the vicinity. This made a great impact in the lives of the dwellers and visitors of the area. They got to enjoy the services associated with banking such as borrowing of loans, keeping money safely in a personal account, saving money through savings accounts that earn interest and the like. T he dwellers and visitors also got job employments that are associated with banks such as being bank tellers, being bank watchmen and women and being cleaners. The younger brother of Ho, Kit, aspired to be a policeman. This is an influence that he got as a dweller of an urban setting. Policemen are a typical feature of an urban setting. They mascaraed the streets in their uniforms with some even holding gins or pistols. These are likely to look cool for a young man

Glare of Fashion in Vanity Fair Essay -- Vanity Fair Essays

Glare of Fashion in Vanity Fair I fancy the doors to society guarded by grooms of the chamber with flaming silver forks with which they prong all those who have not the right of the entrà ©e...the honest newspaper fellow....dies after a little time. He can't survive the glare of fashion long. It scorches him up, as the presence of Jupiter in full dress wasted that poor imprudent Semele&emdash;a giddy moth of a creature who ruined herself by venturing out of her natural atmosphere. (657) With this sentiment in mind, Thackeray expresses his conception of the danger present when one attempts to step outside of their inherent social strata. Through depicting a world devoted to upholding the inflexible codes of society, Thackeray creates an appropriate backdrop for his humorously satirical novel Vanity Fair. At the heart of this work, the avaricious Becky Sharp, born of common blood, fights against traditional precincts by "venturing" (657) outside of her proper environs and entering into an elevated climate where the credulous yield unquestioningly to her will and the skeptics scorn her with cold indifference. Determined to secure a place in genteel society, Rebecca, disregarding the standards of society, manipulates the naive by engaging in hypocrisy and subterfuge while blinding those who doubt her with an unconquerable charm. Clearly a perfectionist in the art of deception, Becky Sharp, a young woman with serpentine sentiments, slithers her way into the aristocratic society that composes the hollow cortex of Vanity Fair. With unremitting cupidity, Becky exploits all those she encounters for the sole purpose of ameliorating her own situation, both financially and socially. Commencing her mission... ...little earthenware pipkin, you want to swim down the stream along with the great copper kettles...lookout and hold your own! How the women will bully you!" (613) Substantiating Lord Steyne's foreboding, with frigid indifference the ladies at his soirà ©e slight Becky, thus proving that she can never fully advance into their milieu. In view of this, Becky, one step away from pushing open the doors to social dominance, fails. Charms and beauty only carry the unwealthy so far in the world of Vanity Fair, thus Becky remains locked out of the room to which she dedicated her life to gaining entrance. Outstripped by the pretentious peerage, Becky's quest for status reiterates the insuperable fact that one without fortune or noble ancestry "can't survive the glare of fashion long" (637). Thakeray, William Makepeace. Vanity Fair. New York: Bantam Books, 1997.

Powder

Some say there is nothing stronger than a bond between a father and his son. The trying and heartwarming relationship between the father and his son is shown in the story â€Å"Powder† by Tibias Wolff. There are many differences and similarities between the father and his son, maybe a few more differences than similarities but that doesn't stop them from spending time with each other. To begin with, throughout the story the reader makes it clear the differences between the two characters. First off, the father has more of a rebellious, outgoing resonantly whereas the son likes to play more by the rules and stays more reserved.You see this not only in the second sentence where it talks about the father sneaking his son into the club but also when the father calls the state trooper to send him in the opposite direction so they could drive on the icy unfortified road to get his son home for Christmas dinner. You would think that all teenage boys would love a father who is willing to break the rules, but from the story it seems like this kind of actions from his father makes him more uncomfortable because it upsets his mom.Also the father was more of a risk taker where his son looked ahead and thought things out more. You can see this in the conversation In the car when the son talks about his success in school and always getting his home work while his dad Is taking a risk driving on the closed road. Even though there are major differences, the father and son do have some similarities. They both seem to care a lot about their families and their relationship together.Throughout the short story you see the wild and crazy actions of the father UT if you read deeper you see he Is only doing this to get his son home In time so his mother will continue to let him see his son. You can even tell the son cares about the relationship with his father because he's doing things outside his comfort zone such as going on a ski trip and trusting his father to drive on the dangerous, winding road. You can even start to see them bonding In the last paragraph when the son starts to relax and actually for once enjoy the fun crazy adventure his dad Is taking him on Instead of being uptight and worrying.There's many different ways to express your love to the closest people around you. Through the story â€Å"Powder† you see the father trying to show his love to his son by taking him on crazy adventures and showing him a good time. Through these you can see the many differences and saltcellars In the two, but through these differences and saltcellars you begin see them bond and develop a real father-son relationship. Powder By cylindering 123 more.You can see this in the conversation in the car when the son talks about his success in school and always getting his home work while his dad is taking a risk but if you read deeper you see he is only doing this to get his son home in time so his You can even start to see them bonding in the last paragraph when the son starts to relax and actually for once enjoy the fun crazy adventure his dad is taking him on instead of being uptight and worrying. See the many differences and similarities in the two, but through these differences and similarities you begin see them bond and develop a real father-son relationship.

Chronology of the Ancestral Anasazi Pueblo People

The Anasazi (Ancestral Pueblo) chronology was broadly defined in 1927 by southwestern archaeologist Alfred V. Kidder, during one of the Pecos Conferences, the annual conference of southwestern archaeologists. This chronology is still used today, with minor changes within different subregions. Key Takeaways Anasazi has been renamed to Ancestral PuebloLocated in the Four Corners region of the U.S. southwest (intersection of the states of Colorado, Arizona, New Mexico, and Utah)  Heyday between 750 and 1300 CEMajor settlements in Chaco Canyon and Mesa Verde   Archaeological remains of what archaeologists call the Ancestral Pueblo are found on the southern Colorado Plateau, the northern parts of the Rio Grande Valley and the mountainous Mogollon Rim in Colorado, Arizona, Utah, and New Mexico. A Name Change The term Anasazi is no longer in use by the archaeological community; scholars now call it the Ancestral Pueblo. That was in part at the request of modern pueblo people who are the descendants of the people who populated the American Southwest / Mexican Northwest—the Anasazi did not in any way disappear. In addition, after a hundred years of research, the concept of what was Anasazi had changed. It must be recalled that, like the Maya people, the Ancestral Pueblo people shared a lifestyle, cultural material, economics, and a religious and political system, they were never a unified state. Early Origins Cutaway illustrations of pre-pueblo pithouses, built by the Ancestral Pueblo people of Colorado. Dorling Kindersley / Getty Images People have lived in the Four Corners region for some 10,000 years; the earliest period associated with the beginnings of what would become Ancestral Pueblo is in the late archaic period. Southwestern Late Archaic (1500 BCE–200 CE): marks the end of the Archaic period (which started at around 5500 BCE). The Late Archaic in the Southwest is when the first appearance of domesticated plants in the American Southwest (Atl Atl Cave, Chaco Canyon)Basketmaker II (200–500 CE): People relied more on cultivated plants, such as maize, beans, and squash and began to construct pithouse villages. The end of this period saw the first appearance of pottery.Basketmaker III (500–750 CE): more sophisticated pottery, first great kivas are constructed, the introduction of bow and arrow in hunting (Shabikeshchee village, Chaco Canyon) Pithouse to Pueblo Transition Visitors walk through the ruins of a massive stone complex (Pueblo Bonito) at Chaco Culture National Historical Park in Northwestern New Mexico. The communal stone buildings were built between the mid-800s and 1100 AD by Ancient Pueblo Peoples (Anasazi) whose descendants are modern Southwest Indians. Robert Alexander / Archive Photos / Getty Images One important signal of development in Ancestral Pueblo groups occurred when above ground structures were built as residences. Subterranean and semi-subterranean pithouses were still being built, but they were typically used as kivas, meeting places for political and religious events. Pueblo I (750–900 CE): residential structures are built above ground, and masonry is added to the adobe constructions. In Chaco Canyon villages are now moving from the cliff tops to the bottom of the canyon. Settlements at Mesa Verde begin as large sedentary villages built into the cliffs with hundreds of residents; but by the 800s, the people living at Mesa Verde apparently leave and move to Chaco Canyon.Early Pueblo II—Bonito phase at Chaco Canyon (900–1000): increase in the number of villages. First multi-storied rooms constructed at Pueblo Bonito, Peà ±asco Blanco, and Una Vida in Chaco Canyon. Chaco becomes a socio-political center, where some individuals and groups hold a great deal of power, seen by architecture requiring organized labor, rich and unusual burials, and large scale flows of timber into the canyon.Pueblo II—Classic Bonito phase in Chaco Canyon (1000–1150): a period of major development in Chaco Canyon. Great house sites, such a s Pueblo Bonito, Peà ±asco Blanco, Pueblo del Arroyo, Pueblo Alto, Chetro Ketl reach now their final form. Irrigation and road systems are constructed. Decline of Chaco A trail leads visitors to Spruce Tree House ruins in Mesa Verde National Park in Colorado, built between 1211 and 1278 CE. Robert Alexander/Archive Photos/Getty Images Pueblo III (1150–1300):Late Bonito phase in Chaco Canyon (1150–1220): population decline, no more elaborated constructions in the main centers.Mesa Verde phase in Chaco Canyon (1220–1300): Mesa Verde materials are found in Chaco Canyon. This has been interpreted as a period of increased contact between Chacoan and Mesa Verde pueblo groups. By 1300, Chaco Canyon definitely declined  and then was abandoned.Pueblo IV and Pueblo V (1300–1600 and 1600–present): Chaco Canyon is abandoned, but other Ancestral Pueblo sites continue  Ã¢â‚¬â€¹to be occupied for few centuries. By 1500 Navajo groups entered the region and established themselves until the Spanish takeover. Selected Sources Adler, Michael A. The Prehistoric Pueblo World, A.D. 1150-1350. Tucson: University of Arizona Press, 2016.Cordell, Linda. Archaeology of the Southwest, Second Edition. Academic Press, 1997Crabtree, Stefani A. Inferring Ancestral Pueblo Social Networks from Simulation in the Central Mesa Verde. Journal of Archaeological Method and Theory 22.1 (2015): 144–81. Print.Crown, Patricia L., and W. H. Wills. The Complex History of Pueblo Bonito and Its Interpretation. Antiquity 92.364 (2018): 890–904. Print.Schachner, Gregson. Ancestral Pueblo Archaeology: The Value of Synthesis. Journal of Archaeological Research 23.1 (2015): 49–113. Print.Snead, James E. Burning the Corn: Subsistence and Destruction in Ancestral Pueblo Conflict. The Archaeology of Food and Warfare: Food Insecurity in Prehistory. Eds. VanDerwarker, Amber M. and Gregory D. Wilson. Cham: Springer International Publishing, 2016. 133–48. Print.Vivian, R. Gwinn, and Bruce Hilpert. The Chaco Handbook. A n Encyclopedic Guide. Salt Lake City: The University of Utah Press, 2002Ware, John. Kinship and Community in the Northern Southwest: Chaco and Beyond. American Antiquity 83.4 (2018): 639–58. Print.